Crime media has been a large part of entertainment for decades and the popularity of these shows continues. Because audiences' perceptions are shaped by the media they consume, it is important to understand how these shows portray offenders, and the…
Crime media has been a large part of entertainment for decades and the popularity of these shows continues. Because audiences' perceptions are shaped by the media they consume, it is important to understand how these shows portray offenders, and the accuracy of those portrayals. This thematic analysis focuses on the portrayal of offenders and if those portrayals have changed over time. The shows analyzed were Law and Order: SVU, Criminal Minds, and NCIS episodes sampled from seasons airing in 2005, 2010, 2015, and 2020. The themes that emerged were the relationship between victimization and offending, gender of victim and offender, relationship between offender and victim, number of offenders, connection between race and crime, lack of remorse, and forms of justice. The findings indicate that some respects changed over time while others remained consistent, with the majority of findings being congruent with justice system statistics.
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Teens are one of the largest markets for movies. Representations of teenagers in film have the potential to powerfully impact their sense of self and society (Elbaba, 2019, para. 17), yet mainstream films in the high school genre have typically…
Teens are one of the largest markets for movies. Representations of teenagers in film have the potential to powerfully impact their sense of self and society (Elbaba, 2019, para. 17), yet mainstream films in the high school genre have typically recycled the same narrow teen stereotypes and narratives since the 1980s (Shary, 2014, p. 19). However, film critics, social commentators, and social media reactions lauded a notable exception in Booksmart (Wilde, 2019). The research reported in this thesis was an analysis of the narrative arc and character tropes in Booksmart intended to explore how these differed from those typical in this genre. The analysis identified several ways that Booksmart deviated from traditional gendered forms in the transformational elements of the narrative and in the strategic use of familiar tropes to disrupt stereotypes. Ultimately, while it is limited in some ways (e.g., racial diversity), Booksmart does include more multidimensional characters and contemporary youth issues (deconstructing stereotypes, beauty standards, etc.) compared to most mainstream films in the teen American high school film genre.
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Lesbian, gay, bisexual, transgender and queer (LGBTQ+) individuals experience a variety of types of representation, particularly in media outlets. While the quantity of such representations is steadily increasing, research must continue to examine the content of representations as they become…
Lesbian, gay, bisexual, transgender and queer (LGBTQ+) individuals experience a variety of types of representation, particularly in media outlets. While the quantity of such representations is steadily increasing, research must continue to examine the content of representations as they become available. This examination is important as much of society is determined by discourses presented in media outlets. Further, media often produces and reproduces dominant narratives about minority groups. Television is one arena where individuals come to learn about themselves and others. Particularly, the sitcom genre can be useful for figuring out how to deal with real-world issues in a humorous and entertaining way. However, the humor of sitcom does not exclude it from the meaning-making and identity-formation systems present in television and media, more broadly. Thus, this study investigates the discourses surrounding LGBTQ+ representation in the Canadian sitcom Schitt’s Creek through critical and rhetorical discursive analyses while also applying principles of queer theory throughout. Results indicate while Schitt’s Creek does many things well in terms of its representation of LGBTQ+ individuals, problematic stereotypes still often remain. In other words, Schitt’s Creek breaks from typical LGBTQ+ representation found in sitcoms, but often still embodies dominant cultural narratives used to degrade, restrict, and punish LGBTQ+ individuals. This is particularly evident as one examines the ways Schitt’s Creek often falls into heteronormative standards and continually polices the sexual nature of LGBTQ+ individuals to display a safe and comfortable version of homosexuality. Therefore, Schitt’s Creek may often and unknowingly reinforce the heteronormative hegemonies it seeks to break from.
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This master’s thesis reports on the experiences and understandings about coercion into human trafficking of activists working in the field. Trafficking exists as a wholly exploitative process which impacts both the psychological state of being of victims as well as…
This master’s thesis reports on the experiences and understandings about coercion into human trafficking of activists working in the field. Trafficking exists as a wholly exploitative process which impacts both the psychological state of being of victims as well as their overall lived, day-to-day experience. A qualitative interpretive phenomenological analysis (IPA) was utilized for this research to gain understanding of the experiences of activists working in the field of trafficking. Given IPA as the method of inquiry, emphasis was placed on achieving an understanding of the lived experiences of the participants. Using a semi-structured interview guide, six different activists in the field of human trafficking were interviewed to gain an understanding of the coercive methods of traffickers, the socio-political realities surrounding trafficking as well as an individualized understanding of what trafficking is like for the victims. The interviews were transcribed and coded for themes and subthemes according to the stipulations of IPA. Three themes emerged from this analysis on trafficking. The first theme addressed basic needs. Participants speak to how traffickers' primary method of recruitment centers around the supplication of basic needs otherwise not provided for. In the second theme, activists reported on the socio-political realities involving trafficking and how that impacts victim identification and recruitment into the life of trafficking. In the third theme, activists reported on the psychological consequences of trafficking during recruitment, being in traffic and once they get out of the life of trafficking and into rehabilitation.
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This thesis explores the potential reasons individuals may romanticize violent serial killers and seeks to eradicate the idea that this phenomenon is due to any singular reason alone. In light of the recent explosion of interest surrounding serial killers and…
This thesis explores the potential reasons individuals may romanticize violent serial killers and seeks to eradicate the idea that this phenomenon is due to any singular reason alone. In light of the recent explosion of interest surrounding serial killers and other true-crime genre media, this work aims to help the general public understand, not only the reasons that we may feel inclined to romanticize such evil individuals, but also the potential dangers behind such romanticization. This research led to the conclusion that a fascination for media or entertainment surrounding and related to this topic has been long standing in human history. Additionally, it was concluded that, while the personal reasons each individual may have for romanticizing serial killers may vary, today’s media representations of violent serial killers (both fictional and not) appeal to these reasons by subtly portraying killers as more palatable to the public. Ultimately, this project compiled numerous potential causes of romanticizing serial killers in order to conclude that no single reason is the source for this phenomenon, but that it is rather a complex culmination of factors.
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The purpose of this thesis is to analyze how the music and rhetoric of Rage Against the Machine is co-opted and delegitimized through internet memes. After a thorough internet search, I chose five memes that express opposing viewpoints to that…
The purpose of this thesis is to analyze how the music and rhetoric of Rage Against the Machine is co-opted and delegitimized through internet memes. After a thorough internet search, I chose five memes that express opposing viewpoints to that of RATM’s anti-capitalist, liberalistic messaging and examined their appropriation of lyrics from their popular hit “Killing In the Name.” as well as the accusations of hypocrisy levied against the band for being inauthentic protest musicians. I also draw comparisons between the structure of these five memes and other politically centric internet memes such as Pepe the Frog and his appropriation by the alt-right, and the attacks against the hashtag Black Lives Matter through the antagonistic hashtag All Lives Matter. I observed the way internet memes use cultural icons to distort and shape narratives about the images’ meanings, in certain cases dissolving an icon’s original message or context entirely. I also propose the idea of internet memes as “ideological capital” that internet users exchange to bolster hegemonic thought and a national identity.
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Social Entrepreneurship has become a major trend in the business world. Social entrepreneurship is a form of business where the primary goal is to create a successful business and use the resources of the company to help solve a social…
Social Entrepreneurship has become a major trend in the business world. Social entrepreneurship is a form of business where the primary goal is to create a successful business and use the resources of the company to help solve a social issue. This thesis covers several modern examples of social entrepreneurship and the positive effects these businesses have had on the world around them. After analyzing several ventures, the paper moves on to describe Wolvertech and the reasons behind its creation and the inspiration for the various programs at Wolvertech. Wolvertech is a gunsmithing company which hopes to create a positive change on the environment through the funding conservation of efforts. Wolvertech also plans to create a scholarship and mentorship program that encourages high school graduates to attend trade schools. After discussing the goals of Wolvertech the thesis moves onto describe leadership styles as well as initial ideas for setting the company up for success. Next is the marketing plan and what products will be offered at Wolvertech. The thesis finishes with the timeline for what Wolvertech hopes to accomplish in the future.
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This study looked at the accuracy in sexual orientation judgment in college-age students from Arizona State University’s West Campus while viewing female actors. One actor was straight and the other bisexual. Participants viewed a 3-minute-long video with audio and visual…
This study looked at the accuracy in sexual orientation judgment in college-age students from Arizona State University’s West Campus while viewing female actors. One actor was straight and the other bisexual. Participants viewed a 3-minute-long video with audio and visual of a mock forensic interview between Taylor Addams (played by one of the actors) and Officer Carter (played by Kiersten Carter), and were not told this was a test of their gaydar. It was found that though each group was biased toward straight responses, the straight actor group scored significantly higher on the straightness measure than the bisexual actor group. There was also no significant difference between the two groups in their confidence in their answers.
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Suicidality, understood as the risk of suicide with intent or the idea of suicide, has been increasingly prevalent in our country, yet the topic of suicidality is one that is often spoken in hushed tones and behind closed doors (Pam,…
Suicidality, understood as the risk of suicide with intent or the idea of suicide, has been increasingly prevalent in our country, yet the topic of suicidality is one that is often spoken in hushed tones and behind closed doors (Pam, 2013). While suicide statistics trend upwards, there is a growing need to understand representations of suicidality, particularly within media (Centers for Disease Control, 2017). This thesis looks to explore the representations of suicidality in media, specifically Netflix’s original series, Thirteen Reasons Why. Data collection for this thesis will be collected from online social media forums dedicated to the show in the form of episode discussions reflecting on each episode in the season. Through an emergent, grounded analysis, this paper will address current representations of suicidality within Thirteen Reasons Why as well as identify common themes found in online social media forums. This research established common themes of resilience-enhancing, community building, and individuals feeling at-risk or triggered by representations of suicidality in Thirteen Reasons Why as found throughout the online social media forums.
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This thesis project explores the nature of power dynamics in the dialogue of video gamers within designated online forums of discussion. Previous scholarly work has noted the lack of diverse representation and tolerance in the gaming community, despite statistics revealing…
This thesis project explores the nature of power dynamics in the dialogue of video gamers within designated online forums of discussion. Previous scholarly work has noted the lack of diverse representation and tolerance in the gaming community, despite statistics revealing that the video game community is not as homogeneous as it is often represented. Specifically, the prominent literature analyzing gaming culture focuses on poor representations of gender within video games and the gaming community itself, including sexualized and objectified depictions of women as well as prejudice toward women as members of the gaming community. More recent entries to the field of research draws attention to the experiences of other marginalized communities in gaming. This thesis, then, begs the question – what power dynamics emerge in the dialogue of people who consider themselves to be gamers? How are concepts of social identity expressed or constructed in communication, and what reinforces and legitimizes these relationships? This project will review a foundation of literature structuring the framework of this project, propose methodology for data collection and analysis, and explore themes discovered within the data analysis, which support or negate existing research and give insight to the proposed research questions.
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