Inclusive education has been impeded by deficit-oriented policies and practices that promote standardization and lead to student segregation by ability/disability labels. Deficit perspectives are maintained across separate programs (i.e., general, special, gifted) through distinct sets of practices and extend into higher education and academia. In response to this issue, this dissertation used strengths-based strategies for collaboratively rethinking and reimagining educational practices, perspectives, and interactions towards inclusivity. The purpose of this research was to study unexpected moments in learning events (i.e., micromoments), explore educators’ responses to these events, and develop strategies for inclusive education professional learning (PL). Diverse educators and neurodivergent adults responded to task invitations based on the research questions: How might micromoments move in/with/through emergent learning events? And, how might attunement to micromoment assemblages be developed? Additional questions explored how conceptualizations of micromoment movement and attunement might transform inclusive education PL and qualitative inquiry. The neurodiversity paradigm, activist philosophy, post-oppositional transformation theory, and creative learning concepts supported an embodied, multiple, emergent, and inter-relational study of the micromoment. Methodological-poly-experiments formulated as invitations to tasks were used as initial enabling constraints for this research-creation. Documentation from several small Zoom group meetings was used in data-weaving, which included collective speculative fabulations (i.e., storying), post-qualitative cartography in the forms of fiber art sculpture mappings, and a moving content analysis. The neurodiversity-inspired educational perspective developed in this study supported a PL shift away from student labels toward the study and design of learning events. Attunement to micromoment movement in learning events was practiced by following micromoment dimensions, elements, and flows. This led to the development of a framework for the study of micromoments for educator PL. This study merged creativity studies, disability studies in education, and educational research. Furthermore, this project extended post-qualitative and research-creation methodologies, offered suggestions for redefining various methodological concepts and neurotypical expectations, and introduced several new concepts for qualitative inquiry. In conclusion, creative professional learning/unlearning strategies, including reflection on underlying educational perspectives and learning event interactions, were part of a meaningful process in cultivating inclusive education for neurodiverse teachers, students, and research participants.

What are the embodied educational experiences among students who were forced to migrate from war areas in Ukraine and study at Ukrainian displaced universities? Building on somatic literature and process philosophy, I developed embodied method of data collection and body-echo analysis to explore the complexities, entanglements and relationality of education and embodied experiences in the context of forced migration in Ukraine. The goal of this dissertation was to learn about students’ experiences of forced migration through an essentially embodied learning processes that integrate mental and physical capacities. I believe that students learn through sensing their way through forced migration, accumulating layers of kinesthetic information hidden in their bodies. More specifically, the students in this study moved either with Displaced Universities from the war areas in Ukraine or independently in several waves or enrolled at the Displaced Universities to receive their education in mainland Ukraine at relocated Displaced Universities. The key insights include 1) uniqueness of embodied experience(s) of forced migration for each student; 2) invisible or virtual university spaces created by forced migration in Ukraine; 3) displaced universities created a virtual relational space in Ukraine where university is people not building; 4) somatic practice allowed an entry point into the safe space of talking about forced migration; 5) unique reactions of students to the somatic movement; 6) sense of belonging to space and people; 7) students’ insights very often remain unfinished thoughts and students at times lack the language to talk about their experiences; 8) students educational trajectories should be viewed as unique experiences even when factors are the same or similar; 9) war is a continuous background of the experience even if students move to a safe place in a different country; 10) humor and care have a visible supportive and healing effects in the context of uncertainty. For this reason, I bring embodied experiences of students from Ukrainian Displaced Universities into education, and I expand the limits of cognitive thinking, and focus more into embodied learning through sensing and relating to one-self and others in the context of forced migration.

Higher education in Ethiopia has undergone significant expansion since the 1990s, with increases in the number of institutions, professors, and students. In the context of this rapid expansion, the Higher Diploma Program (HDP) was introduced to improve the quality of higher education by training university faculty in pedagogy and shifting pedagogy from teacher-centered to student-centered methods, specifically focusing on the introduction of Active Learning Methods (ALMs). This dissertation examines how the HDP was introduced and implemented in Ethiopian higher education through the theoretical lens of education policy transfer/borrowing and decolonial studies. Using ALMs as a case of a borrowed education policy, this research explores policy-practice gaps and factors hindering implementation of ALMs across different institutional and disciplinary contexts in Ethiopian higher education. Overall, the findings indicate that the HDP did not radically transform pedagogy and that teacher-centered instruction continues to dominate teaching and learning. Despite variations in institutional resources, geographical locations, or disciplinary contexts, ALMs were not commonly implemented. Drawing on the intensive analysis of quantitative and qualitative data, including over 150 faculty surveys, nearly 80 interviews with faculty (n=58), universities leaders (n=15), and policymakers (n=6), and 15 focus group discussions with 100 students, this research has identified barriers to the implementation of ALMs that exceed the often-cited factors such as large class sizes, lack of resources, overloaded curricula, lack of pedagogical knowledge, or a lack of faculty commitment. In addition to the previously documented barriers, this research has also identified the broader interconnected meso- and macro-level barriers related to the economy, politics, culture, and global/local dynamics that reflect the logic of coloniality through the continued influence of international donors using soft power (e.g., international aid, knowledge expertise, and international study tours). Combined, these findings suggest that the barriers to the implementation of ALMs in Ethiopia are rooted in systemic and complex power asymmetry between Ethiopia and the Global West/North, and therefore require not only technical assistance involving multiple sectors and stakeholders, but a radical reconfiguration of the modern/colonial logic that forms the foundation of the HDP and other borrowed education reforms.

In this dissertation, I explore how LGBTQ youth negotiate understanding of their subjective positions and alliances as cultural citizens through art creation. This work addresses the manner in which LGBTQ youth express their subjective positionings within the context of an art creation forum that becomes generative of conversations and artistic creations that inform on the subject. Because it is believed that when youth engage with each other in the context of a safe social forum, they feel allowed to share openly with their peers about critical issues that impact their lives. It is through the context of sharing life experiences that reveals new understandings of the self and can become both inspirational and generative. I propose this form of engagement, when paired with art- based methods, allows LGBTQ youth to inspire narratives that are highly informative.Through application of both traditional and non-traditional research methods, data creations and data analysis the researcher and participants became entangled in a process that resulted in multi-layered understandings. This approach was generative of a variety of visual artwork, which included acrylic paintings, clothing patches, pencil drawings and digitally altered photographs. What was found was that subjectivities are fractured, but participants realized the power of their subjective positionings through identification of individual and creative potentials as the conversations and art production revealed the power of technologies of the self and care of the self. Because of this, participants were able to consider their how their individual growth could contribute to a better future for themselves and their community.

This dissertation deals with the confluence of neoliberal and dominant Western social pressures in tension with researchers and educators striving toward a more sustainable world in light of the Anthropocene. Although scientists see the Anthropocene as a problem of human activity and environmental degradation, many social scientists and humanities researchers also see it as a problem with entrenched ways of thought. Current ways of thought complicit in the making of the Anthropocene include centering all thought, control, and agency in the radically individual human, centering science as the only legitimate access to knowledge, and presenting that knowledge as apolitical absolute truth. I engage in research creation activated by the minor gestures of human/nature entanglement in the Anthropocene and the promise of place in environmental and sustainability education. As such, I embark on the invention of a new ecology of practices that takes the process philosophy of Alfred North Whitehead as their guiding foundation. As part of this invention circumventing normative neoliberal and Western logics, I take Ajo, Arizona and the surrounding Sonoran Desert as a partner in more-than-human process inquiry. I live in Ajo and explore the Sonoran Desert for four months of data generation employing basic techniques of ethnography divorced from their neopositivist founding theories. Bodies generated from my entanglement with Ajo and the desert participate in inventing Remixing Data Experiences (RDE), a novel data engagement technique. Through RDE, my more-than-human partners and I create ideas by engaging in arts-based techniques that form multimedia art-workings. The ideas generated include Oasis, Decline, Celebrate, Precarity, and Directions. I respond to each idea through anarchival written texts in a variety of genres including ethnographic memoir, short fiction, essay, ballad, and talk poem. I put these ideas into conversation with current methodological and education literature to illustrate that aesthetic-based inquiry contributes new ways forward in the Anthropocene. These new ways include rhythms of certainty and uncertainty in knowledge creation, participating in reciprocal affective capabilities of bodies in joyful knowing, developing modest abstractions that frequently engage concrete experience, and inclusion of aesthetic experiences in learning and inquiry.

The current sustainability crisis is born from a specious notion that humans are separate from and in a position of control over nature. In response, this dissertation reconceptualizes education beyond its current anthropocentric model to imagine education as learning through relationality with all that is ‘beyond’ the human. The study leaves behind hegemonic binary distinctions (human
ature, teacher/student, formal
on-formal education) to reimagine education as a multidirectional process of learning as worlding and becoming-with Earth (Haraway, 2016a). It explores what matters in education and how it comes to matter.

This dissertation introduces the concept of storyworlding to describe what occurs when multispecies, multi-mattered assemblages (re)write Earth’s narratives through their relationships with one another. Taking its inspiration from the work of the Common Worlds Research Collective, Donna Haraway, and Isabelle Stengers, storyworlding acknowledges that the relationships between and among all biotic and abiotic forces on Earth make stories through their interactions, and these stories make a pluriverse of worlds.

The study is structured as a natureculture (Haraway, 2003) ethnography. This innovation on ethnography, a traditionally human-centered method, focuses on agential, multispecies/ multi-mattered assemblages rather than the description of human culture. Data is not generated and then labeled as fixed in this study. It is emergent in its assemblages as a co-narrator in sympoietic storyworlding (Haraway, 2016b).

Data generation took place over 6 months in a small, coffee-producing region of Southeastern Brazil. Data generation methods included walking conversations with children and the more-than-human world, participation in a multi-grade, one-room schoolhouse, and the collection of visual and audio data such as drawings, photographs, videos, and audio recordings.

Using an intentionally slow, messy, and fluid diffractive analysis, I follow the data where it leads as I think with the concept of storyworlding (Barad, 2007; Mazzei, 2014). Drawing inspiration from Donna Haraway, Isabelle Stengers, and Iveta Silova, the dissertation concludes with an Epilogue of speculative fabulation (SF) imaginings through which I invite the reader to engage in the thought experiment of reimagining not only what matters in education, but what education, itself, is.

Learning to read in English is difficult for adult English language learners due to their diverse background, their level of experience with literacy in their first language, and their reason and desire for wanting to learn to read in English. Teachers of adult language learners must consider the educational and language experiences of adults enrolled in English as a Second Language (ESL) classes in order to provide adequate learning opportunities for a diverse student body. Promoting learning opportunities for adult Arabic speakers was an area of interest for me when I first began teaching adult English language learners six years ago. The purpose of my action research study was to provide the adult Arabic speakers in my classroom with strategies they could use in order to read accurately in English. Current research used to guide my study focused on the difficulties Arabic speakers have with the orthographic features of the English language. As I conducted various cycles of action research in an ESL reading class, I developed an intervention to support adult Arabic speakers gain an understanding of the sound spelling system of the English language inclusive of instructional strategies to support accurate word reading. Data was collected to identify the individuals experience in learning to read. I included a pre and post miscue analysis to help identify the common error patterns of the participants of my study. Over an eight-week period, I followed a constructivist approach and facilitated word sorts to help students identify common sound spellings found in the English language. Instructional strategies were included to help the participants decode multisyllabic words by bringing awareness to the syllable types found in the English language. The findings of my study revealed that Arabic speakers benefited from an intervention focused on the sound spellings and syllabication of the English language.

This dissertation historicizes the contemporary notions of student misbehavior through a critical study of 19th-century teacher manuals. Instead of reading the texts of the manuals as a window into the experiences of the past, I consider the manuals as discursive operations that enacted practices and ideals. In drawing upon historiographical and analytical methods inspired by Michel Foucault and Sara Ahmed, I explore how the intersection of student misbehavior with teacher pedagogy and disciplinary procedures enact “modes of subjection” (Foucault, 1995) and “affective orientations” (Ahmed, 2006) in the modernization of teacher pedagogy and schooling. I argue that the archive of manuals demonstrates the entanglement of student subjectivity and affect with modernizing regimes of governmentality and the marketplace. I equally argue that the modes of student misbehavior present in the archive provide avenues and strategies for thinking outside contemporary developmental and clinical framing of misbehavior. It is in rethinking misbehavior outside of contemporary frameworks that this dissertation provides an opportunity to reconsider how the boundaries of schooling and school participation might radically open up toward more diversity, inclusivity, and equity.

The purpose of this study is to explore how internationalization is formed and operationalized in the Intensive English Programs (IEPs) at three Michigan higher education institutions. Drawing from Latour’s (2005) actor-network theory, this study examined the human and non-human actors involved in constructions of internationalization, which was defined as relational processes (programs and policies) that define and deliver international, intercultural, or global elements into the purpose, function and delivery of postsecondary education (Altbach, 2007; Knight, 2003). As an entry point into the study, I focused on the director of the programs and their mission statements, a written articulation of beliefs, as suggested by Childress (2007; 2009).

To explore these potential networks, I utilized Comparative Case Study (Bartlett and Vavrus, 2016), which allowed for more unbounded cases; Actor-Network Theory (Latour, 1999; Latour, 2005) which allowed for agency among non-human actors that also coexist, transform, translate or modify meaning; and relational network analysis methods (Herz et al. 2014; Heath et al. 2009; Clarke 2005), which helped to explore and make sense of complex relational data. This was in the effort to construct an understanding of the “processual, built activities, performed by the actants out of which they are composed” (Crawford, 2004, p. 1). I mapped actors within each site who were performing their local and contingent processes of internationalization.

The results indicate the formation of complex and far reaching webs of actors and activities that accomplish a form of internationalization that is highly localized. While each program under investigation responded to similar pressures, such as funding shortfalls via student enrollment declines, the responses and networks that were created from these constraints were wildly different. Indeed, the study found these programs engaged in international activities that enrolled various external actors, from campus departments to local community groups. In engaging in relational connections that moved beyond their primary instructional purpose, English language instruction and cultural acclimatization, the IEPs in this study were able to 1) contribute to the internationalization of university departmental curricula, 2) serve their communities in dynamic and impactful ways and 3) develop their own sense of internationalization in a university setting.

This study is a qualitative exploration into the roles and social identities that Research Engineering Undergraduates (REU) enacted while engaging the public through designing serious games. At present, the science communication field is searching for ways to train the next generation of scientists to practice public engagement with science in a way that fosters dialogue with the public, however, little research has been done on training undergraduates in this regard. This exploratory study seeks to determine what opportunities a game design project in a summer program in solar energy engineering research provides undergraduates to that end. The project includes REUs designing games through a facilitated design process and then sharing them with the public at arts festivals. Through discourse analysis, data was analyzed through the lens of cohesion in order to interpret what roles and social identities REUs enacted as well as members of the public who play the games. Based on the analysis of 12 REUs and 39 player participants, findings indicate REUs most often enacted the science game designer social identity and science educator role during the public event. Less often, REUs enacted a sociotechnical role to determine the player's relationship to science/solar energy. Also, less often did they position themselves directly as scientists. For the most part, REUs reproduced the dissemination model of science communication in an interactive way and with an element of reflexivity. However, during public engagement events, dialogue with the public occurred when REUs enacted open-ended roles that enabled members of the public to contribute to the conversation by assuming a range of roles and social identities rather than positioning them into a single role. Dialogue was also supported when REUs were responsive and shifted their role/ social identity to correspond with the public’s enactment. Some players enacted a local Arizonan social identity in response to the open-ended role and game content about Arizona’s solar energy. The project afforded REUs the opportunity to learn illustration and reformulation to communicate science concepts. Also, REUs referenced their game during illustration and reformulation, using it as a tool to teach science, be a science game designer, and other enactments. More research is needed to determine how science, technology, engineering, and math (STEM) undergraduates learning science communication can design serious games and conduct player reflections in such a way to promote dialogue to a greater degree than observed in this study.