Remixing Education in the Anthropocene: More-than-Human Process Inquiry with Place

This dissertation deals with the confluence of neoliberal and dominant Western social pressures in tension with researchers and educators striving toward a more sustainable world in light of the Anthropocene. Although scientists see the Anthropocene as a problem of human activity and environmental degradation, many social scientists and humanities researchers also see it as a problem with entrenched ways of thought. Current ways of thought complicit in the making of the Anthropocene include centering all thought, control, and agency in the radically individual human, centering science as the only legitimate access to knowledge, and presenting that knowledge as apolitical absolute truth. I engage in research creation activated by the minor gestures of human/nature entanglement in the Anthropocene and the promise of place in environmental and sustainability education. As such, I embark on the invention of a new ecology of practices that takes the process philosophy of Alfred North Whitehead as their guiding foundation. As part of this invention circumventing normative neoliberal and Western logics, I take Ajo, Arizona and the surrounding Sonoran Desert as a partner in more-than-human process inquiry. I live in Ajo and explore the Sonoran Desert for four months of data generation employing basic techniques of ethnography divorced from their neopositivist founding theories. Bodies generated from my entanglement with Ajo and the desert participate in inventing Remixing Data Experiences (RDE), a novel data engagement technique. Through RDE, my more-than-human partners and I create ideas by engaging in arts-based techniques that form multimedia art-workings. The ideas generated include Oasis, Decline, Celebrate, Precarity, and Directions. I respond to each idea through anarchival written texts in a variety of genres including ethnographic memoir, short fiction, essay, ballad, and talk poem. I put these ideas into conversation with current methodological and education literature to illustrate that aesthetic-based inquiry contributes new ways forward in the Anthropocene. These new ways include rhythms of certainty and uncertainty in knowledge creation, participating in reciprocal affective capabilities of bodies in joyful knowing, developing modest abstractions that frequently engage concrete experience, and inclusion of aesthetic experiences in learning and inquiry.