This dissertation explores the roles of ethnic minority cultural elites in the development of socialist culture in the Soviet Union from the mid-1930s through the late 1960s. Although Marxist ideology predicted the fading away of national allegiances under communism, Soviet authorities embraced a variety of administrative and educational policies dedicated to the political, economic, and cultural modernization of the country’s non-Russian populations. I analyze the nature and implementation of these policies from the perspective of ethnic Tatars, a Muslim Turkic group and contemporary Russia’s largest minority. Tatar cultural elites utilized Soviet-approved cultural forms and filled them with Tatar cultural content from both the pre-Revolutionary past and the socialist present, creating art and literature that they saw as contributing to both the Tatar nation and to Soviet socialism. I argue that these Tatar cultural elites believed in the emancipatory potential of Soviet socialism and that they felt that national liberation and national development were intrinsic parts of the Soviet experiment. Such idealism remained present in elite discourses through the 1930s, 1940s, and into the 1950s, but after Stalin’s death it was joined by open disillusionment with what some Tatars identified as a nascent Russocentrism in Soviet culture. The coexistence of these two strands of thought among Tatar cultural elites suggests that the integration of Tatar national culture into the broad, internationalist culture envisioned by Soviet authorities in Moscow was a complex and disputed process which produced a variety of outcomes that continue to characterize Tatar culture in the post-Soviet period.

This dissertation is based on significant archival research and utilizes various state and Communist Party documents, as well as memoirs, letters, and other personal sources in both Russian and Tatar. It challenges traditional periodization by bridging the Stalin and post-Stalin eras and emphasizes on-the-ground developments rather than official state policy. Finally, it offers insight into the relationship between communism and ethnic difference and presents a nuanced vision of Soviet power that helps to explain the continuing role of nationalism in the contemporary Russian Federation and other post-communist states.

This dissertation explores how rank-and-file political prisoners navigated life after release and how they translated their experiences in the Gulag and after into memoirs, letters, and art. I argue that these autobiographical narratives formed the basis of an alternate history of the Soviet Union. This alternate history informed the cultural memory of the Gulag in the Komi Republic, which coalesced over the course of the late 1980s and 1990s into an infrastructure of memory. This alternate history was mobilized by the formation of the Soviet Union’s first civic organizations, such as the Memorial Society, that emerged in the late 1980s. However, Gulag returnees not only joined post-Soviet civil society, they also formed a nascent civil society after their release in the 1950s. The social networks and informal associations that Gulag returnees relied upon to reintegrate back into Soviet society after release, also played an essential role in the memory project of coming to terms with the Stalinist past after the collapse of the Soviet Union.

As one of the first and most populous epicenters of the Gulag archipelago located in the Far North, from 1929-1958 Komi saw hundreds of thousands of prisoners, in addition to hundreds of thousands more who were exiled to the region from all over the Soviet Union. While some left the region after they were released, many were not able to leave or chose not to when given the choice. Regardless of where they lived when the Soviet Union collapsed, many former prisoners sent their autobiographies to branches of the Memorial Society and local history museums in Komi. For many, this was the very first time they had shared their stories with anyone. While Komi is unique in many ways, it is emblematic of processes that unfolded throughout the Soviet Union and Eastern Europe at the end of the Twentieth Century. This project expands our understanding of how civil societies form under conditions of authoritarian rule and illuminates the ways in which survivors and societies come to terms with difficult pasts.

The American entrance into World War I instituted a fundamental change in the nation’s handling of foreign policy. The established precedent of isolationism was rooted in Washingtonian affairs and further emphasized by the policies of the Monroe Doctrine and Roosevelt Corollary. President Woodrow Wilson, by choosing to engage in a European war, created a milestone in American history by sending troops across the Atlantic to “repay Lafayette’s debt.” However, while World War I shaped American relations with western Europe, it also played an important role in Russian-American relations with Wilson’s decision to intervene in the Russian Civil War. Like his Fourteen Points at the Treaty of Versailles, Wilson asserted the legitimacy to intervene in Russia through pro-democratic rhetoric. This historic decision not only marked one of the first pro-democratic interventions in American military history, but it became the foundation for containment strategy during the Cold War twenty years later.
Furthermore, this paper will look to highlight and bring forth the stories and testimonies of those who fought in the American Expeditionary Force in North Russia (AEF-NR). Examination of the American leaders in the region as well as the geographical situation will address why the AEF-NR’s intervention was far more violent than that of the American Expeditionary Force of Siberia, telling the story of the ‘Forgotten Fight’ and its significant effect on American-Russian foreign relations.

Political and economic competition, so goes the broad argument, reduce corruption because competition increases the cost of actors to engage in corrupt practices. It increases the risk of exposure, provides non-corrupt alternatives for consumers, and introduces non-corrupt practices into the political and economic domains. Why then, has corruption persisted in the Central Eastern European countries decades after the introduction of political and economic competition in the early 1990s?

This dissertation asks how and why the emergence of competition in the political and economic domains leads to a transformation of the patterns of corruption. I define corruption as an act involving a public official who violates the norms or regulations of their office, receives some compensation in return, and thus harms the public interest.

I argue that under conditions of a communist past and high levels of uncertainty, the simultaneous emergence of political and economic competition transforms the opportunity structures of actors to engage in corruption. The resulting constellation of powerful incentives for and weak constraints against corruption encourages political and economic actors to enter into corrupt state-business relationships. Finally, the resource distribution between the actors in the corrupt state-business relationship determines the type of corruption that emerges—legal corruption, local capture, or covert political financing.

To test the causal mechanism, I employ intensive process-tracing of the micro-causal mechanisms of eleven corruption cases in Poland and Hungary. Using paired comparisons of cases from the same business sector but at different points in time, the dissertation examines how corruption patterns transformed over time in Poland and Hungary.

The dissertation shows that the emergence of political and economic competition changes the opportunity structures of actors in favor of corruption. Moreover, the new constellation of incentives and constraints encourages political and economic actors to establish corrupt state-business relationships. Crucially, I find that the resource distribution within these corrupt relationships determines the type of corruption emerges—local capture where both sides have concentrated resources that balance each other out, legal corruption when a strong economic actor confronts a fragmented political actor, and covert political financing when a weak economic actor faces a strong political actor.

The GI Bill has an extensive history dating back to 1944. There have been different versions over the years, the most recent being the Post-9/11 GI Bill. Theory would suggest that the education incentives that go along with the bill would cause veterans to go back to school. However, this study explores other factors that may influence the decision-making process. Using a sample of 25 undergraduate student veterans from Arizona State University, this study explores the outside factors that may affect the decision to return to school post-military.

In responding to any human rights violation, two questions often arise: what can be done, and who should do it? In response to the horrible violation that is sex trafficking in Russia and Ukraine, this paper will explore the historical, social, political, and economic context that facilitates trafficking, identify common understandings of the issue and corresponding approaches, and attempt to synthesize an approach to combatting sex trafficking that will be most effective in Russia and Ukraine. I will argue that an effective anti-trafficking strategy requires four axes of approach, and that current efforts in Russia and Ukraine are currently insufficient in meeting the demands of those axes.

The purpose of this paper is to examine why the Russian government has been taking political, economic, and military actions in Belarus and Ukraine, and the extent to which the Russian people support these actions. Many observers in the West seem to believe that the Russian government is forcing its political will onto Russian citizens. However, public opinion research indicates that Russian citizens express a genuine support for the regime's political behavior in neighboring countries. Russian citizens seem to support the decisions to build closer relations with countries they consider culturally significant or culturally similar to themselves. Perhaps the clearest examples of these sentiments occur in relationships with Belarus and Ukraine. This is especially apparent when compared to Russian relations with the Baltic nations. Although these nations are home to a large numbers of Russians, the citizens of Russia do not consider the Baltics as significant as Belarus or Ukraine because of pronounced cultural differences. In this context, it seems as though Russian public opinion drives government action toward international relations with the Near Abroad nations perhaps just as much as the government influences public opinion.

The Soviet Union suffered immensely as a result of World War II. When the dust settled and Soviet citizens began to rebuild their lives, the memory of the social, economic, and human costs of the war still remained. The Soviet state sought to frame the conflict in a way that provided meaning to the chaos that so drastically shaped the lives of its citizens. Film was one such way. Film, heavily censored until the Gorbachev period, provided the state with an easily malleable and distributable means of sharing official history and official memory. However, as time went on, film began to blur the lines between official memory and real history, providing opportunities for directors to create stories that challenged the regime's official war mythology. This project examines seven Soviet war films (The Fall of Berlin (1949), The Cranes are Flying (1957), Ballad of a Soldier (1959), Ivan's Childhood (1962), Liberation (1970-1971), The Ascent (1977), and Come and See (1985)) in the context of the regimes under which they were released. I examine the themes present within these films, comparing and contrasting them across multiple generations of Soviet post-war memory.

The Soviet Union suffered immensely as a result of World War II. When the dust settled and Soviet citizens began to rebuild their lives, the memory of the social, economic, and human costs of the war still remained. The Soviet state sought to frame the conflict in a way that provided meaning to the chaos that so drastically shaped the lives of its citizens. Film was one such way. Film, heavily censored until the Gorbachev period, provided the state with an easily malleable and distributable means of sharing official history and official memory. However, as time went on, film began to blur the lines between official memory and real history, providing opportunities for directors to create stories that challenged the regime's official war mythology. This project examines seven Soviet war films (The Fall of Berlin (1949), The Cranes are Flying (1957), Ballad of a Soldier (1959), Ivan's Childhood (1962), Liberation (1970-1971), The Ascent (1977), and Come and See (1985)) in the context of the regimes under which they were released. I examine the themes present within these films, comparing and contrasting them across multiple generations of Soviet post-war memory.

This project covered different components to strengthen Model United Nations organizations, especially programs in Arizona itself. The lack of strong programs in Arizona can be attributed in many ways to a lack of resources, and this project's work aims to bolster programs by providing some resources. The written component contains a write-up of a 2013 High School Model United Nations Conference at Arizona State University; a write-up of a 2014 Middle School Model United Nations Conference at Arizona State University; a guide on how to run such a conference, focused at the high school level; a university-level curriculum that integrates a Model United Nations organization into a classroom setting, including assignments and; a grade school lesson plan with seven lessons that focuses on teaches students about international relations and global affairs while preparing them for a Model United Nations conference.