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This dissertation explores the roles of ethnic minority cultural elites in the development of socialist culture in the Soviet Union from the mid-1930s through the late 1960s. Although Marxist ideology predicted the fading away of national allegiances under communism, Soviet

This dissertation explores the roles of ethnic minority cultural elites in the development of socialist culture in the Soviet Union from the mid-1930s through the late 1960s. Although Marxist ideology predicted the fading away of national allegiances under communism, Soviet authorities embraced a variety of administrative and educational policies dedicated to the political, economic, and cultural modernization of the country’s non-Russian populations. I analyze the nature and implementation of these policies from the perspective of ethnic Tatars, a Muslim Turkic group and contemporary Russia’s largest minority. Tatar cultural elites utilized Soviet-approved cultural forms and filled them with Tatar cultural content from both the pre-Revolutionary past and the socialist present, creating art and literature that they saw as contributing to both the Tatar nation and to Soviet socialism. I argue that these Tatar cultural elites believed in the emancipatory potential of Soviet socialism and that they felt that national liberation and national development were intrinsic parts of the Soviet experiment. Such idealism remained present in elite discourses through the 1930s, 1940s, and into the 1950s, but after Stalin’s death it was joined by open disillusionment with what some Tatars identified as a nascent Russocentrism in Soviet culture. The coexistence of these two strands of thought among Tatar cultural elites suggests that the integration of Tatar national culture into the broad, internationalist culture envisioned by Soviet authorities in Moscow was a complex and disputed process which produced a variety of outcomes that continue to characterize Tatar culture in the post-Soviet period.

This dissertation is based on significant archival research and utilizes various state and Communist Party documents, as well as memoirs, letters, and other personal sources in both Russian and Tatar. It challenges traditional periodization by bridging the Stalin and post-Stalin eras and emphasizes on-the-ground developments rather than official state policy. Finally, it offers insight into the relationship between communism and ethnic difference and presents a nuanced vision of Soviet power that helps to explain the continuing role of nationalism in the contemporary Russian Federation and other post-communist states.


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Title
  • Socialist in Form, National in Content: Soviet Culture in the Tatar Autonomous Republic, 1934-1968
Contributors
Date Created
2019
Resource Type
  • Text
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    • Doctoral Dissertation History 2019

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