The Latin Sol Festival stands as a vibrant celebration of culture, music, and dance, uniting communities and fostering connections in a dynamic showcase of Latin heritage. Held annually, this festival embodies the spirit of cultural preservation and community engagement. As the festival continues to grow and evolve, it remains committed to its original mission. The aim of this creative project was to maximize efficiency, effectiveness, diversity, document its historical impact, increase Sunday participation and set a new standard for future years. These were accomplished by a diverse set of tools including marketing, rebranding, delegation, design and collaborations with local businesses.

Architecture is known primarily as a physical form, with weight given to material and statics, and in this reductionist process, excludes experientially-based spatial dialogues. Dance and movement are used to reintegrate this embodied practice into architecture and space. There have been many investigations integrating western dance into architecture. Bharatantayam, an ancient South Indian, Hindu dance form, has not been recognized as equal to Ballet and other western art forms beyond labels of cultural dance forms. This thesis experiments with the philosophies and practices of Bharatanatyam to work through the design process of climatory resilient architecture installation. By combining dance movement experiments and community narrative investigations, this project ultimately became a community gathering space in one of the hottest regions of Maryvale, AZ. The illustrated process becomes an example of a generative process integrating and intersecting diverse ethnic philosophies with habitat and community oriented site explorations to promote a pluralistic architectural way of being.