For this creative project and critical essay, I attempt to create a feminist screenplay within the horror sub-genre, the slasher film, based upon the works of acclaimed feminist film theorists, Laura Mulvey, Linda Williams, and Carol J. Clover. In each theorist's work, they discuss the ever present male dominant climate of narrative cinema, highlighting the misogynistic undertones of the horror genre along the way. Primarily focusing on the conventions of the slasher genre, as outlined in Clover's psychoanalytic examination of the slasher, I attempt to push the genre as far as possible to be something that fulfills the status of slasher film, as well as something that can be considered feminist.