Superstition is an urban fantasy fiction anthology podcast. Each episode follows a new pair of characters, revealing the supernatural community hidden within the southwest suburb of Superstition. In Superstition, vampires, werewolves and magic have made their home among chain restaurants and malls, neighborhood parks and massive parking lots. In recent weeks, both human and supernatural have gone missing and everyone has a different belief in who and why this is happening. Some simply want life to be as quiet and calm as they remember it to be and other will take matters into their own hands to protect their home. “Thicker than Water” follows two vampire sisters, one of which is in the midst of running for Superstition City Council and the other who has decided to take the future and safety of their community into her own hands in the form of Superstition's first vampire coven. The two disagree about how they should be leading Superstition and reflection on their shared trauma leads to high tensions and questioned trust.

In the United States, the majority of the population suffers from some form of trauma. There are many ways that an individual can cope and accept their trauma, but two practices stand out as an inexpensive, flexible option for many. Bibliotherapy is the use of reading literature as a way to learn more about and understand one’s trauma through the perspective of others. Expressive writing is the practice of writing and reflecting about one’s own traumatic experiences, as well as the emotions that are tethered to it. In this paper, I explore the fields of bibliotherapy and expressive writing as forms of therapy by reviewing the history, use, goals, and effects of each in the context of mental and emotional well-being. Intertwined with the scholarship is my own self-guided bibliotherapy of reading memoirs and poetry collections related to my trauma and self-guided expressive writing in which I wrote a short collection of personal essays and poetry, finding that both fields, separately and used together, are effective avenues for trauma healing.

Throughout every liberation movement in America’s history, poetry has been an undeniably powerful act of resistance. Even today, protest poetry is instrumental to countless resistance movements because it captures attention, evokes emotion, and demands social progress. My project is divided into two parts. The first part is made up of five journals. These journals are informal written responses that conversate with different texts and analyze specific images within specific passages. My exploration of protest poetry focuses on five prominent poets of the last century: Langston Hughes, Maya Angelou, Gloria Anzaldúa, Camille T. Dungy, and Claudia Rankine. The second part of this project is my contribution to protest poetry. For my collection, I crafted ten poems in which I resist a range of issues that have to do with class, gender, and ethnicity. My protest poetry is also an examination of what it means to be human, particularly in modern day America.

Information is a precious gift to all people. In order to preserve it for a long time to come, archives help maintain and provide access to information for public use. In this project, I explore a brief history of archives and detail my process of building one of my own for Canyon Voices - a literary magazine on ASU's West campus.

I write a modern revamp of the 1960 romantic comedy-drama film The Apartment, intentionally filling it with topical issues and touching upon (post)modern concepts such as intertextuality and parody. Additionally, I contextualize my creative work with an academic supplement that gives weight to my various stylistic and content choices, and bring them into conversation with those utilized by the original 1960 film.