My paper focuses on the existence of God in the face of the existence of evil. I provide a summary of the topic as it stands and provide my own arguments as well as counterarguments to try and provide a logical reconciliation of the existence of God and the necessity of evil in the world.
This project is a wordless children's book about an excluded child with autism who, with the help of a cat, learns to make friends and be happy with who she is. The book is illustrated with water color and acrylic paints and is based on my experiences with autism. The goals for this project were to create representation for autistic people and to give something to younger autistic children to practice their communication. The essay portion of the project details the creation of the project, my inspirations, the research that has been done on how autistic children interact with storytelling and other non written communication, and a reflection on how the project went.
This creative project discusses my experience studying abroad in Europe this past fall. It includes nine poems for each of the nine countries I visited, along with corresponding reflections and commentaries. The larger theme shows how I transformed from a tourist to a traveler.
Modern media meant for light consumption tends to lean heavily on tropes and assumptions that don't really exist in literary fiction. Authors writing today are aware of this manner of reading and often tailor their messages to it. However, the framework doesn't really work for older novels. They were not written for this modern lens, and therefore, make their criticisms in ways that modern readers might not understand. So what does this mean for modern readings of these books, modern adaptations of these stories, or even modern original stories set in these time periods? This thesis explores these questions through perusing Bram Stoker's Dracula, Jane Austen's Persuasion and the 2022 Netflix adaptation of such, and the first season of Netflix's Bridgerton.
In this project, I will study how the Disney corporation altered the story Rapunzel and how those changes interact and are influenced by culture and time. The story is indicative of the time and culture that produced it, but it has been reproduced many times and in many cultures. I will compare the original Grimm Brothers' Rapunzel (1812) and the popular Disney film Tangled (2010). This project will be divided into two main parts to address these two distinct iterations of the story. In the first section, I will focus on this form of media's background information and relevance. In the second part, I will address the specific differences between the versions and their relevance. I will discuss the restraints and limitations of my research as well as possible future related research. I will establish the importance and value of fairy and folk tales as well as their widespread reciprocal impact. I will compare the effects of media in general on a population with a hypothesized impact of fairy and folktales. Furthermore, through all of this, I will critique the changes made by Disney.