In the Room Where It Happens: A Critical Reading of the Humanities Classroom

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Description
The following thesis project explores the foundation of and current operation of the humanities classroom with a focus on who and what is considered scholarly and therefore who and what gets to be in the classroom. In the first chapter

The following thesis project explores the foundation of and current operation of the humanities classroom with a focus on who and what is considered scholarly and therefore who and what gets to be in the classroom. In the first chapter I explore the idea of how space- both physical and proverbial- is made through narrative and gives rise to one’s social place. From there I explore notions of human and person. I explore how human is different from person and how current notions of human and person have philosophical foundations that exclude African and Afro-descended persons. In chapter three I explore how notions of human that exclude black-plus persons have gone on to shape the humanities classroom as a white space where notions of scholar and scholarly often exclude black-plus persons. I then go on to reflect on my personal experiences in the Barrett and Women and Gender Studies classrooms. In the final chapter I explore the importance of popular media, specifically modes of mass media (theater, film, TV, social media) as spaces where black-plus narratives tell stories and give depictions of black-plus persons as beings, as humans, as persons. I also touch on how popular media currently is a space where black-plus narratives provide place for black-plus persons and space for people to learn new ways of seeing black-plus people.
Date Created
2019-05
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