In the field of electronic music, haptic feedback is a crucial feature of digital musical instruments (DMIs) because it gives the musician a more immersive experience. This feedback might come in the form of a wearable haptic device that vibrates in response to music. Such advancements in the electronic music field are applicable to the field of speech and hearing. More specifically, wearable haptic feedback devices can enhance the musical listening experience for people who use cochlear implant (CI) devices.
This Honors Thesis is a continuation of Prof. Lauren Hayes’s and Dr. Xin Luo’s research initiative, Haptic Electronic Audio Research into Musical Experience (HEAR-ME), which investigates how to enhance the musical listening experience for CI users using a wearable haptic system. The goals of this Honors Thesis are to adapt Prof. Hayes’s system code from the Max visual programming language into the C++ object-oriented programming language and to study the results of the developed C++ codes. This adaptation allows the system to operate in real-time and independently of a computer.
Towards these goals, two signal processing algorithms were developed and programmed in C++. The first algorithm is a thresholding method, which outputs a pulse of a predefined width when the input signal falls below some threshold in amplitude. The second algorithm is a root-mean-square (RMS) method, which outputs a pulse-width modulation signal with a fixed period and with a duty cycle dependent on the RMS of the input signal. The thresholding method was found to work best with speech, and the RMS method was found to work best with music. Future work entails the design of adaptive signal processing algorithms to allow the system to work more effectively on speech in a noisy environment and to emphasize a variety of elements in music.