Description
The purpose of my creative research was to analyze my choreographic process and answer the research question: how will implementing somatic principles impact my choreographic process? In determining the impact I analyzed the use of choreographic approaches that bring proprioceptive awareness to interdisciplinary somatic themes of bodily systems, sensing, connectivity, initiation and sequencing. These somatic themes were utilized in movement invention and exploration as well as the structuring and performance of my choreography. Additionally, the research involved clarifying my role as a choreographer and my relationship to the dancers in my work. My creative research occurred in three choreographic phases and resulted in the production of B.O.D.I.E.S performed in three consecutive sections titled Discovery, Exploration, and Identity November 5-7, 2010. B.O.D.I.E.S demonstrates how somatics will lead to greater movement possibilities and dynamic range to explore in the craft of dance making.
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Details
Title
- B.O.D.I.E.S: implementing somatic principles into my choreographic process
Contributors
- Hillerby, Rebecca Blair (Author)
- Schupp, Karen (Thesis advisor)
- Roses-Thema, Cynthia (Thesis advisor)
- Coleman, Grisha (Committee member)
- Arizona State University (Publisher)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2011
Subjects
Resource Type
Collections this item is in
Note
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thesisPartial requirement for: M.F.A., Arizona State University, 2011
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bibliographyIncludes bibliographical references (p. 64-65)
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Field of study: Dance
Citation and reuse
Statement of Responsibility
by Rebecca Blair Hillerby