Description
For this project, I commissioned and recorded five new works for contrabassclarinet from five different composers. Composition parameters were given to each
composer before they started writing which detailed what needed to be included in each
work. Four of the composers were asked to utilize a single, difficult aspect of playing the
instrument, which included intonation, low note technique and response, phrasing, and
articulation. For the fifth work, the composer was asked to incorporate all parameters of
the project. Because of the differences between contrabass clarinet designs, I recorded
each work three times using the Leblanc Vito, Leblanc “Paperclip”, and Selmer Model 41
contrabass clarinets to demonstrate that the works were adaptable and playable. In this
paper, I will outline the parameters of the project, describe the instruments used for
recording and provide a performance guide for each work. It is my hope that these works
will provide an enjoyable way for future contrabass clarinetists to become more
proficient performers of the instrument.
Included in this item (2)
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Details
Title
- A Commission and Recording Project Featuring Five New Works for Contrabass Clarinet
Contributors
Agent
- Fullerton, Kimberly Irene (Author)
- Spring, Robert (Thesis advisor)
- Gardner, Joshua (Thesis advisor)
- Micklich, Albie (Committee member)
- Wells, Christi Jay (Committee member)
- Watts, Sarah (Committee member)
- Arizona State University (Publisher)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2023
Collections this item is in
Note
- Partial requirement for: D.M.A., Arizona State University, 2023
- Field of study: Music