Hunting Baraka: The Spiritual Materiality and Material Spirituality Reconfiguring the Indonesian Islamic Landscape

Much of the anthropological and Islamic studies focus in recent years has addressed the shifting forms of Islamic piety across Muslim majority societies. The analysis of this shift in Islamic practice and belief has enveloped the changing sensibilities around technologies, social strata, democracy, law, and everyday life. In light of these transformations, after the fall of the Indonesian New Order in 1998, the performances of Islamic devotional songs (salawat) by Habib Syech bin Abdul Qadir Assegaf (Habib Syech) began bringing millions of people together across Indonesia, Malaysia, Taiwan, Hong Kong, Thailand, South Korea, Egypt, Saudi Arabia, and Yemen. Although salawat has typically been performed in remembrance of the birth of Prophet Muhammad (mawlid) in localized celebrations. The performances of salawat by Habib Syech, on the other hand, occur fifteen or more times a month with crowds swelling to tens of thousands across multiple nation-states. Habib Syech’s salawat performances furthermore appeal to and bring together diverse Muslim populations that have historically been more divided. Habib Syech’s gatherings reveal how popular forms of piety are shifting in conjunction with profound societal changes in Indonesia and other Muslim communities. In untangling the popularity of Habib Syech’s gatherings, it was not until I became entangled in the rhythm of salawat that baraka, often translated as blessings, emerged as a slippery, elusive, and living helping propel the popularity of this phenomena. The guttural cries of my interlocutors (baraka, baraka, baraka) resonate and summon a methodology that takes the visible and invisible together in understanding the concept and life of baraka. I, like my interlocutors, began hunting baraka as an alternative, living concept that challenges understandings of Islam in Indonesia driven by Islamic civil organizations, prescriptive vs everyday Islamic piety, and Western interpretations of the world as disenchanted. This dissertation is an exploration of new opportunities for understanding religion in the modern world that emerge from the ethnographic field through the life of baraka.