Description
Positioned between Beethoven and Liszt in the golden period, Carl Czerny (1791-1857) played a significant historical role in the area of piano pedagogy. Many pianists are familiar with and have played Czerny’s études, or technical exercises. However, few delve into Czerny’s piano works for performance, including eleven piano sonatas and more than 180 works titled variations. The project at hand examines three of Carl Czerny’s variation works for piano: Opus 33 (on a theme of Rode), Opus 281 (on a theme from Bellini’s Norma, in its solo piano version), and Opus 292 (on an original theme). These works are explored from both compositional and performance perspectives. After a brief biography of Czerny that places his variations into the context of his compositional output, the three variation sets are given analytical description. A chapter on the “Rode Variations” focuses on the technical and musical challenges for the pianist. An important conclusion reached is that these somewhat-neglected works might be attractive to pianists looking to expand their repertoire.
Included in this item (4)
Permanent Link
Permanent Link
Load Player
Details
Title
- The Piano Variations of Carl Czerny
Contributors
Agent
- Tang, Tingshuo (Author)
- Hamilton, Robert (Thesis advisor)
- Creviston, Hannah (Committee member)
- Holbrook, Amy (Committee member)
- Arizona State University (Publisher)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2020
Subjects
Collections this item is in
Note
-
Doctoral Dissertation Music 2020