Full metadata
Title
Her Brown Body Is Glory: A Legacy of Healing Forged Through Sisterhood and Dance
Description
“Her Brown Body Is Glory: A Legacy of Healing Forged Through Sisterhood and
Dance” fondly captures the process of creating the evening length dance project, Her
Brown Body Is Glory (HBBIG). This document addresses many themes, such as
liminality, rites of passage, trauma in the African American community (like the effects
of Dr. Joy DeGruy Leary’s “Post Traumatic Slave Syndrome (PTSS) theory), and
provides a perspective of healing rooted in dance, rituals, and community. This research
focuses on dance being the source of intervention to create sisterhood among African
American women of many shades. Throughout the creation of this dance project, the
choreographer and dancers collaboratively generated experiences to cultivate a space of
trust, vulnerability, sisterhood, and growth. The use of written, verbal, and movement
reflection supported this creative process as the main source of ritual to check in with
self, building community amongst the dancers, and generating choreography. The
insertion of these sisterhood rituals into the production became the necessary element of
witness for the audience to experience an authentic and moving performance of Her
Brown Body Is Glory.
Dance” fondly captures the process of creating the evening length dance project, Her
Brown Body Is Glory (HBBIG). This document addresses many themes, such as
liminality, rites of passage, trauma in the African American community (like the effects
of Dr. Joy DeGruy Leary’s “Post Traumatic Slave Syndrome (PTSS) theory), and
provides a perspective of healing rooted in dance, rituals, and community. This research
focuses on dance being the source of intervention to create sisterhood among African
American women of many shades. Throughout the creation of this dance project, the
choreographer and dancers collaboratively generated experiences to cultivate a space of
trust, vulnerability, sisterhood, and growth. The use of written, verbal, and movement
reflection supported this creative process as the main source of ritual to check in with
self, building community amongst the dancers, and generating choreography. The
insertion of these sisterhood rituals into the production became the necessary element of
witness for the audience to experience an authentic and moving performance of Her
Brown Body Is Glory.
Date Created
2020
Contributors
- Thomas, Hannah Victoria (Author)
- Jackson, Naomi (Thesis advisor)
- White, Marcus (Committee member)
- Hunt, Kistin (Committee member)
- Nascimiento, Eliciana (Committee member)
- Arizona State University (Publisher)
Topical Subject
Resource Type
Extent
76 pages
Language
eng
Copyright Statement
In Copyright
Primary Member of
Peer-reviewed
No
Open Access
No
Handle
https://hdl.handle.net/2286/R.I.57272
Level of coding
minimal
Note
Masters Thesis Dance 2020
System Created
- 2020-06-01 08:28:00
System Modified
- 2021-08-26 09:47:01
- 3 years 2 months ago
Additional Formats