Description
As with many concertante, Fantasy focuses on the interplay between the soloist and the orchestra. Contrast is a fundamental principle for creating the formal design of the composition. Adjacent sections are related to one another by the contrast of any or all of the following: register, timbre, and texture. Fantasy derives inspiration from the musical languages of Stravinsky, Prokofiev, Shostakovich, Moravec, and Debussy.
Copyright Statement
Details
Title
- Fantasy for Piano and Orchestra
Contributors
- Kemp, Tyler (Author)
- Rockmaker, Jody (Thesis advisor)
- DeMars, James (Committee member)
- Rogers, Rodney (Committee member)
- Arizona State University (Publisher)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2018
Resource Type
Collections this item is in
Note
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Doctoral Dissertation Music 2018