Description
The author explores the influences on the interiors of Hollywood films of the late 1920s and 30s. The Exposition des Arts Décoratifs et Industriels Modernes, Paris 1925 is examined in historical context and its influence on design trends internationally.
The Hollywood film industry is examined, in general, and Metro-Goldwyn-Mayer and its longtime art director, Cedric Gibbons, in particular. Eight MGM films are discussed and their interiors analyzed for related influence from the 1925 Paris Exposition.
The thesis makes a case for the influence of the 1925 Paris Exposition on Cedric Gibbons and the interiors of the MGM films of the late 1920s and 30s.
The Hollywood film industry is examined, in general, and Metro-Goldwyn-Mayer and its longtime art director, Cedric Gibbons, in particular. Eight MGM films are discussed and their interiors analyzed for related influence from the 1925 Paris Exposition.
The thesis makes a case for the influence of the 1925 Paris Exposition on Cedric Gibbons and the interiors of the MGM films of the late 1920s and 30s.
Copyright Statement
Details
Title
- The influence of the Exposition des arts décoratifs et industriels modernes, Paris 1925 on Hollywood films of the late 1920s and 30s
Contributors
Agent
- Rishell, Ann (Author)
- Brandt, Beverly (Thesis advisor)
- Bender, Diane (Committee member)
- Sweeney, Gray (Committee member)
- Arizona State University (Publisher)
Date Created
The date the item was original created (prior to any relationship with the ASU Digital Repositories.)
2014
Subjects
Collections this item is in
Note
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Vita
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thesisPartial requirement for: M.S., Arizona State University, 2014
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bibliographyIncludes bibliographical references (p. 90-92)
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Field of study: Design
Citation and reuse
Statement of Responsibility
by Ann Rishell